• Helen Hardin, Changing Woman, 1980. Etching, ed. 1/65, 24 3/4 x 18 1/2 in. Loan from Helen Hardin #1’s LLC.
    Spirit Lines: Helen Hardin Etchings
    With works by her mother, Pablita Velarde, and daughter, Margarete Bagshaw
    February 21, 2021 — May 16, 2021

Spirit Lines consists of the entire first edition set of Hardin’s 23 copper-plate etchings, which at the Crocker will be accompanied by original paintings by Hardin, Pablita Velarde, and Margarete Bagshaw (1964–2015).

Helen Hardin, Messenger from the Sun , 1980. Etching, ed. 1/65, 14 x 11 in. Loan from Helen Hardin #1's LLC.
Helen Hardin, Deerslayer's Dream, 1981. Etching, ed. 1/65, 18 1/2 x 26 1/8 in. Loan from Helen Hardin #1's LLC.
Margarete Bagshaw (Santa Clara, 1964–2015), Between Two Worlds, 2011. Oil on board, 48 x 36 in. Private collection

Helen Hardin (Santa Clara, 1943–1984) emerged in the 1970s and 1980s as a trailblazer for Native American women artists wishing to break from tradition. Although influenced by time-honored pueblo imagery as well as the work of her mother, renowned Santa Clara artist Pablita Velarde (1918–2006), Hardin strove to create a style all her own.

In high school, a drafting class introduced Hardin to architectural tools and processes that she then incorporated into her work. Repeating complex geometric forms based on the imagery she found in petroglyphs and ancient potsherds, she became recognized for her use of increasingly bold, vibrant colors and her affinity for iridescent paint.

In 1980, Hardin began using the copper-plate etching process, a printing technique that allowed her precise lines and detailed compositions to reach a broader audience. Spirit Lines consists of the entire first edition set of Hardin’s 23 copper-plate etchings, which at the Crocker will be accompanied by original paintings by Hardin, Pablita Velarde, and Margarete Bagshaw (1964–2015). Click HERE to learn more on our blog, the Oculus.

Courtesy of Helen Hardin #1’s LLC, a Nevada Corporation.

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